Music helped save me and U2 bandmates from depression, says Clayton

by LAURA BUTLER

Bassist Adam Clayton has told of how U2 saved him and his bandmates from depression.

Clayton told the Irish Independent that he has experienced the ‘black dog’ creeping in at stages throughout his life, but coped by concentrating on his work and seeking help.

“There’s a lot of it in our industry and it’s covered up with drugs and alcohol. There’s such a high incidence of young musicians who commit suicide or inadvertently die through accidents of some kind,” said the 52-year-old.

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War Child 20: the best of


To celebrate our 20th Anniversary we’ve released an album with Parlophone Records that brings together some of the best tracks from our five albums – including the legendary ‘HELP’ one from 1995 , which raised £1.5million. Subsequent releases have featured the hottest names in music and raised not only funds, but profile, for our vital work.

War Child 20: The Best Of will be released as a digital album only on 18 February.

With all proceeds of the sale coming directly to War Child, the album tracks have been selected to show the diversity and quality of all the artists who have supported us for the last two decades.

To further commemorate our 20th anniversary, long time supporters Muse are giving away a free track to fans. Over six minutes long, the track starts with Muse’s take on the classic ‘House Of The Rising Sun’ before turning into an explosive version of ‘Time Is Running Out’.

Download it here from Wednesday February 13th.

The Tracklist

1. Come Together: Smokin’ Mojo Filters (McCartney, Weller, Gallagher)

2. Lucky: Radiohead

3. Fade Away: Oasis

4. Mourning Air: Portishead

5. Fake The Aroma: Massive Attack

6. Raindrops Keep Falling On My Head: Manic Street Preachers

7. Shipbuilding: Suede

8. Miss Sarajevo: Passengers (U2 and Pavarotti)

9. House Of The Rising Sun: Muse

10. Ghost Town: The Prodigy

11. Calico Skies: Paul McCartney

12. Everyone Says Hi (Metro Mix): David Bowie

13. Vietnam: New Order

14. How You See The World No.2: Coldplay

15. Hong Kong: Gorillaz

16. Goodbye Yellow Brick Road: Keane

17. Transmission: Hot Chip

18. Leopard-Skin-Pill-Box-Hat: Beck

19. Straight To Hell: Lily Allen (ft. Mick Jones)

20. Running To Stand Still: Elbow

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Thirty Year War


‘We knew there was something special there,’ recalled Larry. ‘We felt we’d finished the songs and done as much on the album as we could possibly do.’

Opening with Sunday Bloody Sunday and closing with “40″, it was, said Bono at the time, ‘A slap in the face against the snap, crackle and pop’.

‘War’, the band’s third studio album, was released in February 1983. It was U2 at their most rhythmic said Adrian Thrills in the NME. ‘Their sound is rooted in drummer Larry Mullen’s shuddering tub-thumping and bassist Adam Clayton’s bewildering percussive patterns. Guitarist the Edge is less dominant than before, the traditional solos of the axe hero superceded by intuitive excursions in tonality and harmonics that put an eerie veneer over the rock solid foundations.’

J D Considine in Rolling Stone concluded that the songs ‘stand up against anything on The Clash’s London Calling in terms of sheer impact, and the fact that U2 can sweep the listener up in the same sort of enthusiastic romanticism that fuels the band’s grand gestures is an impressive feat.’

Tracks like New Year’s Day and Sunday Bloody Sunday came to define the band’s sound for millions and remain live standards today… but can you remember the second single release, Two Hearts Beat As One, performed in this clip on a TV show deep in the heart of the 1980′s?

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John Lennon, U2, Larry Norman and a Trilogy of God Songs

by David Gilmour

John Lennon’s debut solo album, John Lennon/Plastic Ono Band (1970), includes the remarkable “God.” The former Beatles’ well known distrust of religion is on display in this album as he announces “There ain’t no Jesus gonna come / from the sky” (“I Found Out”), likens Jesus and Paul with junkies pushing cocaine (“I Found Out”), and with a nice conspiratorial touch, voices concern about a system that keeps people “doped with religion” (“Working Class Hero”). Believers think they are “so clever and classless and free,” but to Lennon they are “still fucking peasants / as far as I can see.” In “God” he adds, bluntly, “I don’t believe in Bible,” “I don’t believe in Jesus,” nor do I believe in I-Ching, tarot, Buddha, Mantra, Gita or Yoga.

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