MIAMI (Reuters) - Irish rockers U2 ended their hugely successful
“Elevation” tour Sunday night in the same neighborhood as they started but
with a show that poignantly reflected the events that have shaken the world
since the band set out nine months ago.
At the outset of the trek, the band had said they wanted the concerts to
focus on the songs after the theatrical extravaganzas of their previous few
tours. Following the Sept. 11 attacks on the United States and the launching
of U.S.-led war against terrorism, many of those songs have taken on a new
resonance.
Several times during the concert at Miami’s American Airlines Arena, lead
singer Bono, often a fervent critic of U.S. government policy, declared the
band’s affection and sympathy for the United States.
“I’d like to say how much we love this country and we wish you safety and
prosperity,” he told the crowd at one point.
U2 have always been a politically and socially involved band — usually as a
champion of the underdog.
Songs such as the vintage “Sunday Bloody Sunday” about the troubles in
Northern Ireland, with its chorus of “how long must we sing this song,”
were delivered with new fire and relevance in light of the conflicts raging
in the world today.
During the song, Bono picked an Irish tricolor and a U.S. flag from fans in
the crowd, tied them together, then buried his face in them. The gesture was
greeted with whoops of appreciation.
The show moved to an emotional climax with the encore ”One,” a plea for
peace and harmony, as a screen behind them scrolled the names of victims of
the Sept. 11 attacks, Bono by then wearing a New York Fire Department
T-shirt.
More than 2 million fans in North America and Europe have seen the 109 shows
the band has played this year. The tour has reaffirmed U2’s claim to be the
greatest rock and roll band in the world - and, according the latest figures
by Pollstar grossed $69 million by mid-year, the biggest earning of the
year.
Sunday night’s tour closer, like the others, featured songs from throughout
the band’s two-decade career, from the 1980s classics that seemed to delight
the crowd most to the strong performances of their Grammy award-winning 2000
album “All That You Can’t Leave Behind.” Not a few people in the crowd
were parents with their children.
“So we began in Miami and we finish in Miami,” Bono said. ”Something
special is going on with our band and our crowd — it’s like a church.”
Among the notable moments:
– Bono and guitarist the Edge, playing an acoustic guitar, singing
“Please,” a song, Bono explained, originally written about “religious
nuts and political fanatics” in their native Ireland and now directed at
Osama bin Laden (news - web sites).
– During the anthem “Bad”, Bono plucked a fan from the crowd and danced
with him on stage — the fellow had tattooed on his back all the U2 concerts
he had attended.
– In a ringing version of “Pride (in the Name of Love)”, screens showed a
video of Martin Luther King, the song’s subject, then King’s words were
broadcast and melded into the song.
The encores, packing a heavy emotional punch, began with a scorching
“Bullet the Blue Sky” - a song about air raids on civilians in Central
America, then Marvin Gaye’s “What’s Going On,” about America’s confusion
in the Vietnam era.
Then the elegy “New York,” from the new album, when silk screens
emblazoned with skyscrapers were lowered from the rafters. “Even Miami
Loves New York,’ ad-libbed Bono, the significance being lost on no one.
“One,” with the Sept. 11 roll call, followed, then a few choruses of “My
Sweet Lord” in tribute to late Beatle George Harrison. Then with a poignant
“Walk On,” with its call to struggle through adversity, U2 closed this
chapter of their career.
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