Bono Denies Billionaire Status; Talks About Ending Hunger

U2′s Bono claims he felt rich when he was 20 and Ali was paying his bills. In this interview from the newswires, he downplays Facebook chatter and chats about ending hunger. 
ANDREA MITCHELL, HOST:  Here at the Global Food Summit, President Obama has issued a call to action for world leaders to attack poverty in Africa by expanding agriculture.  The immediate goal is to lift 15 million people out of poverty over the next decade.  Participating in this big launch for the G-8 Summit, some big players.  Singer/songwriter, co-founder of the One Campaign, Bono.
                Welcome.
                You’ve spoken here to the summit.
                What is the mission and the cause and — and why is it so urgent?
                BONO:  Well, the mission is, I guess, obvious, to…
                MITCHELL:  Right.
                BONO:  – you know, no one wants to see those extended bellies.  No one wants to see children — emaciated children.  Hunger is a ridiculous thing.  And we know what to do in order to fix it.  There’s, you know, these whole new approaches to agriculture to increase productivity, etc.  Etc.
                But what’s key about today’s announcement is that the president of the United States is supporting African ideas on how to fix their problem.  There are country-owned, country-devised plans in 30 African countries.  And that’s what it will take to get to that 50 million people taken out of — out of hunger over the next decade.
                So it’s — that’s what’s different.  It’s partnership, it’s not the old paternalism.  These are sort of horizontal relationships, not vertical ones.
                MITCHELL:  And these countries have spent the last couple of years, 30 countries, submitting their plans.  And now this is the time for action, for business leaders, for others, to — to join in and invest.
                You wrote in “Time” magazine this week that Africa is so rich in resources, that this is really the — the continent which can be like the American continent was in the last century.
Tell us what…
                BONO:  Yes, it’s…
                MITCHELL:  – the potential there.
                BONO:  – we’ve — we’ve got to, you know, we’ve just got to reboot our thinking on the continent.  Africa is — this — the 21st century, people say it’s about China.  Ask the Chinese.  They’re all over Africa.
                MITCHELL:  Exactly.
                BONO:  Africa, by 2050, will double the population of China.  So you’ve got this — there — there will be more young people on the continent of Africa than there are Chinese in 2050.  I mean it is just stunning.  They’re rich.  They’ve got all these minerals on the ground.  And the people are saying to us, the African people, they don’t want aid as an ongoing basis.  They need it now to help them get to a place of independence.
                But they’re future consumers for the United States.  The president is talking business.  This is good.  It — it’s just — it’s a whole new kind of development paradigm, I think, today.  It’s — the old sort of donor-recipient relationship, it’s over.
                MITCHELL:  And I mean the Chinese, as you point out, they get it.  They’re investing everywhere in Africa.  These businesses want to invest.
                What do we do about the — the fact that there has been so much widespread corruption and how can that be tackled?
                The World Bank has tried to tackle it.
                BONO:  Absolutely.
                MITCHELL:  There are some demands here up front.
                BONO:  Exactly right.  Corruption is killing more kids than any dis — killer — of the killer diseases, AIDS or malaria.
                So if you look at food as a resource that comes out of the ground, the same way, if you look at oil, gas, the great mineral wealth of the continent of Africa, what can you do to make sure that the wealth that’s in the ground, under the feet of the people who live there, gets into the hands of the people who live there?
                Well, there’s one way, transparency, daylight, which is to say, when private contracts are put out — given to a — to explore for oil or for gas, that the people know how much was paid for that contract.
                So in this, in this — this Congress is a bill in the finance reform bill, the huge big Dodd-Frank bill, there’s a Cardin-Lugar Amendment what — which actually makes it law that any company published on the United States Stock Exchange, the New York Stock Exchange, has to publish what it pays for those mining rights.
                This is huge.  This is bigger than anything you can imagine.
                Who’s telling us that?
                Africans are telling us that.  This is what they’re saying.  They’re saying just bring some daylight, bring some transparency and we won’t be as dependent on you.
                MITCHELL:  And, you know, this is such a novel idea, the Europeans, some of them, are pushing back against this, saying whoa, you know, we don’t have these same rules, we don’t want these rules for our companies.
                But this would really tell the people in Africa exactly what money is being transferred and what — what their resources are going for.
                BONO:  That’s it.  So then they can ask — they can hold their own governments to account.
                Now, the British are — are looking at this.  There’s some discussion about whether it should be project by project or country by country.  It has to be project by project, I think.  We’re meeting with David Cameron later.  I — I’m — I am hopeful to — to convince him and to do that.
The French are there on this.  I spoke with the Germans, with Chancellor Merkel’s people, not with her yet.  But I have before on this subject.  And she is leaning in — in this direction.  That’s huge.  The German leadership will be great.
                I’ve actually spoken to 12 of the G-20 heads of state on this matter.  So Brazil is — is looking to lead in this.  And Australia is.
                And this is the way of the future.  Daylight is the way of the future.  The direction of information technology, guess what, it’s information.  People want information about the big decisions that affect their lives.
                MITCHELL:  Now, speaking of information technology, you have been so innovative.  You’ve been on the — the cutting edge of this.  Back in 2009, I think, you were first investing in Facebook.  It’s gone public.  You are reportedly going to con — you know, conceivably have this huge payout.
                Tell me about Facebook, what you see in it, what the business model is and what you think it’s going to accrue to your own investment.
                BONO:  Well, contrary to reports, in bus — I am not a — this boy is not a billionaire.  And — or going to be richer than any Beatle.  And not just in the sense of money, by the way.  The Beatles are untouchable.  That’s just a joke.
                MITCHELL:  I — I get it.
                BONO:  We — you know, in Elevation, we invest other people’s money — endowments, pension funds.  We do get paid and — and that is a — a good thing.  We will get, you know, I’m blessed.
                But, you know, I felt rich when I was 20 years old and my wife was — was paying my bills, you know, just being in a band.  I’ve always felt like this, I mean being — being so blessed.
                I got interested in technology because I’m an artist.  I’m interested in the forces that shape the world, you know, politics, religion, the stuff we’ve been talking about today.
Technology is huge.  I wanted to learn about it.
                And people say it’s, oh, you’re a musician, what are you doing on this?
                But I think it’s odd that — that artists are not more interested in the world around them.  The zeitgeist, I’m always chasing that.
                MITCHELL:  What do you see in Facebook?
                What is it about Facebook that you think, to those who say, well, what is the business model here, what do you think is the future of Facebook?
                BONO:  Well, they’re — they’re an amazing team.  They’re a brilliant team.  And they really care about this stuff.  And — and, you know, it’s — it’s a technology that brings people together, people who are traveling a lot, to keep in touch with their families, with their friends.
                And — and you see it, the role it’s played in — in — in North Africa, in the — in the so-called Arab Spring.
                So it’s a whole — it’s — it’s the village square.  But it was the leadership of it that got me excited to going back.
                And — but there’s other companies out there.  Yelp I invested in, Drop Box.  There’s — there’s just a — there’s just — there’s a lot of excitement in America.  This is — in this area.
                MITCHELL:  What do you say to people, Wall Street and others, who say there is no real business model here, that people might go to Google and, you know, really look at the ads, but not on Facebook, that social networking is a different kind of — of zeitgeist and that you don’t really want advertising?
                BONO:  That’s an intelligent criticism.  I’m not even going to try to answer it.  I’ll let Facebook do that.
                You know, I’m, in a ways, the — the thing that I bring to elevation is I’m curious about people.  You know, I asked Warren Buffet what was the most important thing in investing.  He said judgment of character.
And — and there’s some pattern recognition and some sensing of what the future might look like. But I think — I think Facebook has gone — is only beginning.  That’s my own view.

Bono Announces the Beginning of the End of AIDS

Bono finally made an appearance on the Daily Show, but it wasn’t to talk about the Achtung Baby rerelease. For World AIDS Day this year, we couldn’t turn on our television without seeing Bono on a variety of programs, on just about every channel. Collaborating with celebrities, corporate leaders, and the last three US presidents under the umbrellas of the ONE and (Red) campaigns, Bono announced what he’s calling the beginning of the end of AIDS.

Bono explained the moment to CNN, “Thirty years, 30 million funerals later, on the 30th anniversary, we just have the end in sight if people – if people want to go next leg.”

The singer-activist celebrated what he sees as the United States’ role in ushering us closer to an AIDS-free generation. He remarked, “The United States has saved five million lives by getting them these drugs that were once thought impossible to get to rural areas in far-away places.”

And he recognized that the roots of AIDS activism began here decades ago: “And it’s worth, on World AIDS Day, to remember heroes of the domestic AIDS fights. You know, from – both from the gay community and the straight community, from regular folks to people like sports stars like Magic Johnson. Where would we be without Magic Johnson?”

Any mention of U2 on this day only touched on how our fan community has been outspoken and integral to the overlapping movements to end poverty and disease.

As he has done since the 1990s when he got involved in the Jubilee 2000 efforts, Bono connected his activism to themes central to his spirituality, to how he was willing to reach out to conservatives like George Bush:

“Christ only speaks of judgment once and it is not about your sexuality, it is not about your bad behavior.  It’s about how you treat the poor, Matthew: 25.  I spoke to him [Bush] and as a person of faith – it might be a bad example of it – to him who was a believer and he was moved by that because we’re so judgmental. This is what happens. This started in the United States in the gay community. People didn’t want to go there, and the gay community had to be bold and they showed incredible leadership and said this is not just about us, you know.”

Quotes from CNN.com. Photos from various newswires. Please check out joinred.com and one.org for more information.

Bono Envy And The Box Office

Editor’s Note: In addition to making its rounds on DVD, online, and on pay-per-view TV, the new film Killing Bono, based in part on the writing of Neil McCormick, is enjoying a limited US theatrical release. You can check your local listings for more details.

Don’t talk about Rattle and Hum. Don’t talk about your Spidey sense and SciFi musicals. The history of our Bono and clear success at movie or theatre box offices are a mixed bag.

Unrivaled at selling out rock concerts? Yes. Concert DVDs doing well in the 2000s? Yes. But this doesn’t mean that a movie that frames you as a minor character will be a big hit.

Killing Bono bases itself on the frustrated truth of growing up in the shadow of giants. From a plot made with a jolt of rockstar-caliber jealousy, Killing Bono tries to be many things to different people, but a typically nerdy rock biopic for the hardcore U2 fans it’s not. Even though the work of Neil McCormick as journalist and tweeter are well-loved among U2 fans, many of us are not sure what to make of Killing Bono.

The early parts of the flick feature all the members of U2 as characters, with some choice footage from their roots at school, complete with (formerly known as) The Hype’s first gig and a hilarious scene when when Paul and Dave adopt their stage names at the same time they drop “The Hype” for the hype-yet-to -come in U2. But does this film work as an Irish Almost Famous? Is this movie a faithful rendering of McCormick’s prose?

The American drop of Killing Bono coincides with the epic onslaught of Achtung Baby rerelease options. Was this intentional? Surely, this saturated market manages to appease the post-360-tour blues among fans willing to pay to stay engaged with their favorite band.

But pit the mixed-up comedy mostly-about-the-band’s-mates against the garden harvest of DVDs and documentaries, and most U2 fans are going to be perfectly pleased to dig deeper into their new Uber and Super box sets and may end up ignoring Killing Bono. Maybe we prefer Bono admiration to Bono envy.  –Andrew William Smith, Editor
 

U2 tribute in Seaton

Wednesday, September 14, 2011
4:59 PM

U2UK is set to bring its awesome multimedia stage show, that honours 30 years of the Grammy award winning rock legends U2, to Seaton.

The group has appeared on Netherlands TV, on the radio stations in Cyprus, Amsterdam and in the UK, and had a double-page feature in the internationally famous ‘Q’ magazine alongside U2 themselves.

Playing anywhere up to capacity crowds of 9,000 fans across the UK, Belgium, Amsterdam, Rotterdam, Spain, Malta, Cyprus, Romania, Sweden and building interest in Italy, Portugal and India; it’s easy to see why U2UK are Europe’s Premiere U2 tribute band.

U2UK provide a trip down U2’s memory lane that is not to be missed, will have you singing, dancing, standing on your seats and screaming for more as you relive all those fantastic moments in the history of the world’s greatest rock band.

This show is a must for any lover of music and theatre!

The band will be performing at The Gateway at Seaton Town Hall on Saturday, September 24, with the doors opening at 7.30pm.

Tickets cost £12 in advance or £15 on the door. This show is not to be missed by any fan of live rock music.


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    Jack White to Cover U2 on Actung Baby Tribute Album [It Might Get Loud … Again]

    BowPwnd.jpg

    Achtung! That’s German for “Attention!” Have I got yours? … Good, let’s blog it out.

    In case you missed it, documentarian Davis Guggenheim’s It Might Get Loud is a film about guitars and the men that love them. In it, Guggenheim pulls an eHarmony on Jimmy Page, The Edge and Jack White — matching up the three famed but aesthetically and generationally contrasting guitar gods based on 29 dimensions of compatibility in their abilities to rock, scientifically proven to foster a conversation about how hard being talented, influential and, ultimately, successful fucking rules. “I plan to trick both of these guys into teaching me all their tricks,” the film captures White musing in anticipation of this meeting of the musical minds.

    According to this recent news item, such arts of misdirection and slide of slowhand may have apparently paid off for White, who is slated to appear on a forthcoming tribute record to U2’s (that’s The Edge’s band, FYI) 1991 landmark LP Achtung Baby, which Q magazine is compiling in celebration of the album’s 20th anniversary.

    White will put his spin on Achtung album-closer “Love Is Blindness,” which — if I’m to let the lifelong U2 fan in me out to editorialize a bit — boasts one of the greatest, most anguished, unrestrained, yet meticulously composed guitar solos in The Edge’s arsenal. Like, if he were Kirk Hammett, this shit would be his “Unforgiven.” Perhaps White’s trickery netted him some key pointers on how to play the solo, in case he intends on whipping up a shot-for-shot remake. Or perhaps he’s gonna adapt it in his own style. Either way, it might get good, not to mention loud. Check out the original (below) for reference. Solo starts around the 3:18 mark:

    But … how much louder might the “Love Is Blindness” solo get were a certain Led Zeppelin guitarist to play it with a fuckin’ fiddle-bow, eh?

    Appearing alongside J-Dub on this tribute to Achtung Baby — which is also set to get an epic reissue treatment by year’s end — is Depeche Mode, contributing their take on the so cruelly underrated “So Cruel,” Patti Smith, taking on U2 fan fave and concert-staple “Until the End of the World,” and Damien Rice, firming up his buffalo stance for a rendition of “One.” For all we know, with other artists on the tribute still TBA, Jimmy Page may very well have his name attached to a cut. Maybe he’ll reunite with David Coverdale on a cover of “Who’s Gonna Ride Your Wild Horses?” — a song that need not remain the same as its original recording. Though I really, really (really) doubt it. It’s been a long time since Page rock and rolled. Maybe he didn’t get the call. Seems like it might get loud in Jimmy Page’s cry room, if you know what I mean.

    Dazed, confused, and remembering the good times he had with The Edge in that movie, reconciling them with the bad times of this rejection — “Where did our communication break down,” he may inquisitively ramble on to himself, “Who will help me in my time of crying?”

    We will.

    Some dude once imparted some sage pearls, stating, “Be the change you want to see in the world.” I think it might have been Killers singer Brandon Flowers — can’t recall at the moment. Anyway, not important. The point is, do we, as a musical community, want to hear The Edge’s reverb-laden, delayed licks played with a goddamn bow or not?

    That’s why I’m starting the Coalition to Reunite Coverdale/Page (or The Firm, Subject to Availability) to Cover “Who’s Gonna Ride Your Wild Horses?” Leave your name in the comments to have it added to the petition. Once this thread reaches a million comments, I’ll email the link to Bono.

    Who’s with me?

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